Aztecs at the Guggenheim Reveals Blinders about Contemporary Civilization
The November 1, 2004 issue of The New Yorker contained Peter Schjeldahl's review of The Aztec Empire at the Guggenheim Museum in NYC. I was struck by a certain blindness in its point of view on the exhibition and what we know about the Aztecs. Last week I had the opportunity to see the show. It is enormous and overwhelming; startling and dazzling, especially the range of topics and approaches.
INLAID STONE: This mask (c. 450 AD) of stone, turquoise, obsidian, and shell was used in rituals at
Teotihuacan, a city that flourished 1,000 years before the Aztecs.
photo: MICHEL ZABÉ/GUGGENHEIM MUSEUM (borrowed without permission)
But, back to Peter Schjeldahl, and, as it turns out, to many other reviewers, the human sacrifice that is so important to Aztec religious practice is a zone of human behavior that is both exotic and somehow verboten. Schjeldahl's essay in the New Yorker begins,
and from later in his essay:
INLAID STONE: This mask (c. 450 AD) of stone, turquoise, obsidian, and shell was used in rituals at
Teotihuacan, a city that flourished 1,000 years before the Aztecs.
photo: MICHEL ZABÉ/GUGGENHEIM MUSEUM (borrowed without permission)
But, back to Peter Schjeldahl, and, as it turns out, to many other reviewers, the human sacrifice that is so important to Aztec religious practice is a zone of human behavior that is both exotic and somehow verboten. Schjeldahl's essay in the New Yorker begins,
"The hypercivilized, unimaginably savage Aztecs made war almost tenderly, wielding wooden swords that were edged with bits of obsidian or flint and, in face-to-face combat, endeavoring not to kill their enemies but, commonly by striking at their legs, to disable and capture them. Later, the captives - thousands of them for the rededication of the Great temple at Tenochtitlan (now Mexico City) in 1478 - were led to high platforms, where priests tore out and displayed their still-beating hearts."
and from later in his essay:
"I couldn't shake the thought that most of the show's contents were made with and for eyes that routinely beheld terrible acts, including rites of "autosacrifice" which the Aztecs performed at all their religious ceremonies."